A Beckett-Inspired Play — Set in the womb

A Beckett-inspired production developed in Leitrim is returning to the stage with a new second act, as Ante Beckett prepares for a one-night performance in Manorhamilton ahead of a Dublin run.

Ante Beckett, produced by Exit Does Theatre and starring Paddy McEneaney, has evolved into a one-hour, two-part play combining dark comedy, physical performance and sharp, fast-paced dialogue.

“We wanted something simple and transportable,” he said. “We stripped it right back — four drapes and a seat. That’s all we needed. We started with big ideas but reduced it down to what was essential.”

Written by Leitrim-based playwright Joel Smith, the original 25-minute piece debuted as a solo performance and went on to receive strong critical attention at the Edinburgh Festival Fringe, including coverage in the Journal of Beckett Studies.

The production has since been expanded with a second part, Twine, introducing a contrasting dynamic through the addition of a second character.

“The first piece established a strong, neurotic, nihilistic character,” McEneaney said. “Then Joel had the idea — what if he had a twin who was completely the opposite? That’s where the second part came from.”

The new act sees McEneaney joined on stage by Eoin O’Sullivan in what he describes as a faster-paced and more physical performance.

“It’s very different in style — much more back-and-forth, more physical comedy, almost slapstick at times. There’s conflict, but it’s fun,” he said.

The full production now runs for approximately one hour, opening with the original solo piece before transitioning into a 35-minute two-hander.

Despite its roots in the work of Samuel Beckett, McEneaney said the show is designed to be more accessible to audiences.

“Beckett can be quite heavy. This is lighter, more human, more approachable. It still has those themes — nihilism, existentialism — but it’s warmer. Even setting it in the womb changes everything. It’s a place of nourishment, not emptiness.”

The project was originally developed with support from Leitrim Local Live during the COVID period, with a creative team including director John Carty, set designer Eniko Hegyi, lighting designer Michael Cummins and sound designer Joe Hunt.

Following performances across Leitrim and Sligo, the production is now entering what McEneaney describes as its “third manifestation,” with refinements made to tone, costume and structure while retaining its minimalist set.

Ante Beckett will be staged in Manorhamilton Glen’s Centre on April 10 at 8pm, before running at The New Theatre in Dublin from April 14 to 17.

While the Manorhamilton performance is currently a one-night event, McEneaney said further dates could be added depending on demand.